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Open a larger version of the following image in a popup: Alphonse Legros (1837-1911), Self-portrait (Legros par lui-même), ca. 1894
Open a larger version of the following image in a popup: Alphonse Legros (1837-1911), Self-portrait (Legros par lui-même), ca. 1894

Alphonse Legros (1837-1911)

Self-portrait (Legros par lui-même), ca. 1894
Etching, drypoint and stipple with surface tone on laid paper
11⅞ x 8½ inches (30.2 x 21.6 cm.)
With the artist’s monogram stamp in the margin AL [Lugt 140a]
Legros 412, Malassis & Thibaudeau 412, Inventaire du Fonds français 138
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Further images

  • (View a larger image of thumbnail 1 ) Alphonse Legros (1837-1911), Self-portrait (Legros par lui-même), ca. 1894
  • (View a larger image of thumbnail 2 ) Alphonse Legros (1837-1911), Self-portrait (Legros par lui-même), ca. 1894
Striking self portrait of Alphonse Legros, at 57 years old. Inspired by Rembrandt, as many 19th century etchers, Legros produced an ensemble of self-portraits, showing his features evolving with age....
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Striking self portrait of Alphonse Legros, at 57 years old. Inspired by Rembrandt, as many 19th century etchers, Legros produced an ensemble of self-portraits, showing his features evolving with age. At the time of this portrait, the artist just retired from his Professor position at University College in London. Close friend of Whistler, Legros moved to London in 1863 and became an active member of the London art scene. Close to the Pre Raphaelites, he was fascinated by Leonardo Da Vinci. We can see in this portrait how Legros identified himself with the Renaissance master.

Monogram stamp affixed by the artist’s son Lucien on unsigned proofs left in his father’s estate or on proofs subsequently pulled, never exceeding the edition size dictated by the artist, after which the plates were destroyed.
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Exhibitions

Private collection, France
Eric Gillis Fine Art, Brussels, 2019
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