THE ANNUAL FINE PRINT FAIR: CLEVELAND MUSEUM OF ART

7 - 10 October 2021

Heinrich Aldegrever (1502-1538)
Mars, from The Gods Who Preside Over The Seven Planets, 1533

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Willem Basse (1613-1672)
The Flight into Egypt, 1642-1648

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Pieter Bruegel the Elder (1525-1569)
Armed Three-Master on the Open Sea Accompanied by a Galley from The Sailing Vessels, from the Series of Ships, a series of ten plates, engraved by Frans Huys (1522-1562), published by Hieronymus Cock (c. 1510–1570), 1561-1565
Albrecht Dürer (1471-1528)
Christ before Caiaphas, from The Engraved Passion, 1512

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Anthony van Dyck (1599-1641)
Mocking of Christ with later engraving by Lucas Vorsterman (1595–1675), 1630s

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%3Cdiv%20class%3D%22artist%22%3EAnthony%20van%20Dyck%20%281599-1641%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EMocking%20of%20Christ%20with%20later%20engraving%20by%20Lucas%20Vorsterman%20%281595%E2%80%931675%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1630s%3C/span%3E%3C/div%3E
Jacques de Gheyn II (1565-1629)
A Blindfold Cupid Holding a Torch before a Couple, Plate 7 from The Masquerades, 1595-1596
Jacques de Gheyn II (1565-1629)
Sergeant, Plate 8, from Officers and Soldiers of the Bodyguard of Emperor Rudolph II, Series of Twelve, after Hendrick Goltzius (1558–1617), published by Goltzius, 1587
Jacob de Gheyn III (1596-1644)
Pittacus Mytilenaeus, Plate 4 from The Seven Wise Men of Greece, published by Nedicolas de Clerck (active 1614–1625), 1616

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After Hendrick Goltzius (1558-1617)
The Physician considered the Devil, Plate 4 from Allegories of the medical profession, 1587
Wade Guyton
X Poster (Untitled, 2007, WG1208), 2017
Hendrik Hondius I (1573-1650)
Two Bagpipe Players, after Pieter Bruegel the Elder (c. 1525/30-1569), from The Pilgrimage of the Epileptics to the Church at Molenbeeck, 1642

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Odilon Redon (1840-1916)
Princesse Maleine (La petite Madone), 1892
Pieter Lastman (1583-1633)
Judah and Tamar, 1620

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%3Cdiv%20class%3D%22artist%22%3EPieter%20Lastman%20%281583-1633%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EJudah%20and%20Tamar%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1620%3C/span%3E%3C/div%3E
Jacob Matham (1571-1631)
St Augustine, Plate 3 from The Fathers of the Church after Cavaliere d’Arpino (1568-1640), 1600
William Powhida
Post-Boom Odds, 2008

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%3Cdiv%20class%3D%22artist%22%3EWilliam%20Powhida%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPost-Boom%20Odds%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E2008%3C/span%3E%3C/div%3E
Jan Saenredam (1565-1607)
Vanity of Vanities: It’s all Vanity (Vanitas, Vanitatum et Omnia Vanitas), after Abraham Bloemaert (1566-1651), published by Robert de Baudous (1574/75-after 1655), 1600

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%3Cdiv%20class%3D%22artist%22%3EJan%20Saenredam%20%281565-1607%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EVanity%20of%20Vanities%3A%20It%E2%80%99s%20all%20Vanity%20%28Vanitas%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3EVanitatum%20et%20Omnia%20Vanitas%29%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Eafter%20Abraham%20Bloemaert%20%281566-1651%29%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Epublished%20by%20Robert%20de%20Baudous%20%281574/75-after%201655%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1600%3C/span%3E%3C/div%3E
Josh Shaddock
Easier said than done., 2009

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Willem Isaacsz. van Swanenburgh (1580-1612)
The Sinners of the Old and New Testament, a set of six after Abraham Bloemaert (1566-1651), 1609-1611

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Willem Isaacsz. van Swanenburgh (1580-1612)
The Sinners of the Old and New Testament, after Abraham Bloemaert (1566-1651): Saulus Rex, Plate 5, 1611

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Jan Toorop (1858-1928)
Dorpshuizen or De Dode Boom (Village Houses or The Dead Tree), 1897

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%3Cdiv%20class%3D%22artist%22%3EJan%20Toorop%20%281858-1928%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EDorpshuizen%20or%20De%20Dode%20Boom%20%28Village%20Houses%20or%20The%20Dead%20Tree%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1897%3C/span%3E%3C/div%3E
Jan Toorop (1858-1928)
Nettenboetsters (Net Menders), 1899

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%3Cdiv%20class%3D%22artist%22%3EJan%20Toorop%20%281858-1928%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ENettenboetsters%20%28Net%20Menders%29%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1899%3C/span%3E%3C/div%3E
Willem van de Velde the Elder (1611-1693)
A Dutch Fleet Lying at Anchor at the IJ, Amsterdam, 1660s
Johannes Visscher (1635-1712)
Portrait of Peter Proelius (1616-1661), after Jan van Noort (1623–1681), published by Nicolaes Visscher II (1649–1702), 1661

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Jan Gillisz. van Vliet (1605-1685)
Portrait of Rembrandt wearing a soft hat and embroidered coat, half-length turned slightly to left; after Rembrandt's self-portrait, 1634

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%3Cdiv%20class%3D%22artist%22%3EJan%20Gillisz.%20van%20Vliet%20%281605-1685%29%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EPortrait%20of%20Rembrandt%20wearing%20a%20soft%20hat%20and%20embroidered%20coat%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3Ehalf-length%20turned%20slightly%20to%20left%3B%20after%20Rembrandt%27s%20self-portrait%3C/span%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3Cspan%20class%3D%22title_and_year_year%22%3E1634%3C/span%3E%3C/div%3E
Jan Gillisz. van Vliet (1605-1685)
The Game of Cards, 1634-35

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Thomas Woodruff
The Robin's Leap, 2000

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